Gladiator (2000) (6/10)

After a journey to Rome recently I gathered enough courage to watch Gladiator. Or rather felt obliged to watch it. Not unexpectedly, it did not turn out to be the grand movie. The sets and the settings are good, and so is the acting. The complex character of Commodus is brought out rather well. But the other characters, including Maximus often seem undecided, and hence human. May be that was intended. Not much of Rome shown, not much of the senators shown. That makes it a rather one-track story-line. Sure, there are a couple of twists, but these are trivially overcome - at least in the movie.

Why don't slaves revolt? Why don't people revolt? Why don't we revolt?

Gladiator (2000) (6/10)

The Maiden Heist (2009) (5/10)

An attempted comedy involving three guards in an art museum who are in love with an art piece each. When they learn that those pieces are among the ones to be moved to Denmark, and that this was decided without consulting them, they decide to take things in their own hands. Of course the plan goes a little awry. Not too many complications or twists. The Maiden Heist (2009) (5/10)

Just Go with It (2011) (6/10)

A fun comedy, where you go along just as the title says. One white lie leading to another, just compounded by the forced accomplices also wanting their share of the white lies. As usual things don't turn out the way they are supposed to be, one thing leads to another. It all start with a rich person wooing a young woman. She thinks he is married and he has to convince her that he is going to get divorced. And then he has to convince her. Just Go with It (2011) (6/10)

Being There (1979) (8/10)

A fabulous movie starring Peter Sellers with a very straight face and absolutely no intensions save some gardening perhaps. A man who has not stepped outside his house until he is a man is asked to do so, and he does. Chance takes him(self) to meet many different people. He is so blank that he unknowingly gets mistaken for a mirror with people getting the vibes they want. For that reason alone it does not seem farfetched. One metaphor can apply to so many situations. There are a few twists and the suspense almost kills. The power of few words is apparent. If only people could shut up they could reach so much higher. Being there is important, not saying it. Eve, and Bobby, and the attorney, and the doctor all play their roles. The transformation in Ben is amazing. And it really comes from the inside. Life is indeed a state of mind.

Being There (1979) (8/10)

The Englishman Who Went Up a Hill But Came Down a Mountain (6/10) (1995)

A feel good movie about the war times when a Welsh village is about to lose their latest asset owing to two Englishmen just doing their job. The towns folk set about the task of convincing (or is it duping? or is it just transmitting their point of view?) the duo about "reconsidering" their execution of their job. They do it in a perfectly Gandhian way - non-cooperation. Romance is thrown in, and some rules to the air. Making a mountain out of a mole? You have come to the right spot.

The Englishman Who Went Up a Hill But Came Down a Mountain (6/10) (1995)

Eyes Wide Shut (1999) (6/10)

A nonlinear story about an individuals moral issues with extramarital sex. Good performances and suspenseful stuff of secret societies keep it intriguing. An individuals foray into an area where he does not belong. He seems to realize that, and yet keeps on getting drawn. And then there are the pangs of having endangered a few lives in the process. Stanley Kubrick.

Eyes Wide Shut (1999) (6/10)

Of Gods and Men AKA Des hommes et des dieux (6/10) (2010)

A group of missionaries (monks of Tibhirine) living in Atlas mountains in Algeria peacefully near a muslim village in the 1990s when terrorists threaten the well being in general, and perhaps the Christian priests in particular. Its a slow moving movie as the situation warrants - with the priests deliberating whether they should leave and thinking what their mission is, what they are headed for and so on. There is always the possibility of their being kidnapped or killed. Some of them go through phases of wanting to leave, but a couple are steadfast that they won't including the medic priest.

The encounters are a bit documentary like because they are real but the acting is superb, and the icing is the bit during their "last supper" when they have all decided to stay - a piece from Tchaikovsky's ballet, Swan Lake (10th movement, the first from Act II: Scene: Moderato).

While the discussions of the priests are shown in fair detail, the other side is shown just in sketches, and their encounters have no discussion as such (perhaps as is likely to happen in a real-life situation when at least one side has its views fixed). I would have liked to see more on those lines though.

Of Gods and Men AKA
Des hommes et des dieux (6/10) (2010)

The Fifth Element (1997) (7/10)

A fun movie. Sci-fi with the usual space ships, evil, aliens, magic antidote and so on, but also humour. In fact on one level it seems like a parody of many other serious counterparts to itself. The fifth element needs to be combined with the other four. But the fifth element happens to be alive. I do not know if it is fair to say, but Bruce Willis seems a lot like Indiana Jones but for the background. Not too much acting is needed as there is enough action. Many things about the evil and the aliens go unexplained as usual.

The Fifth Element (1997) (7/10)

Æon Flux (2005) (6/10)

A futuristic sci-fi movie where a dying world was saved by a scientist and all the saved people are living in a huge city separated from nature. This continues for 400 years but something has been brewing. The action is too fantastic as is often the case when anything is dubbed futuristic, and so are some of the gimmicks. Its always the right people with the right implements. Including the magnetic balls, in-brain communication, the non-distributed master database.

What I did like about the movie was its premise, which is plausible, but also mainly the solution that comes about. Many times time is a very good solution to many problems provided no destructive interference is being brought about.

Æon Flux (2005) (6/10)

The NeverEnding Story (1984) (5/10)

The story has a weak premise of interactive stories, as usual in another dimension. A school and a home are shown for an excuse but it is really about rescuing a princess who is awake just a for a few minutes throughout the movie. Its more about a boy who has to go on a quest for the princess just because her uncle says so. His character does not get built. There are a bunch of other characters thrown in for effect which they summarily fail to. What is this a mix of? Alice in wonderland, Wizard of Oz and Spongebob or something like that

The NeverEnding Story (1984) (5/10)

Enemy Mine (1985) (4/10)

Netflix thought I would like this. So much for their AI algorithms. It is sci-fi (really? it was more about emotions - first anti, then for and the usual violence thrown in for good measure - just good old earth -on any part of it for that matter - in a different setting), it is based in outer space, it has aliens. Are the criteria so simple?

It is about species, ugliness (of the body, of perception and of the mind) and perhaps goodness (or is that just the residual when ugliness leaves?). In short, you can avoid this. Why did I spend time writing this? Perhaps just to indicate that some good is still left in me.

Enemy Mine (1985) (4/10)

From Paris with Love (2010) (5/10)

Eiffel tower is shown a couple of times, a drive past Seine once but otherwise this movie could have been shot anywhere. I deplore the use of one of my favorite city's name in this fashion. The movie has elements of espionage and something like a plot but many holes. But clearly like many Hindi movies you are supposed to ignore that and just go gaga over the violence and the attendant nonchalance. Bottomline: if you like guns and shootings and brawls, this is for you. If not, perhaps you could give it a miss.

From Paris with Love (2010) (5/10)

The Color of Magic (2008) (6/10)

Had decided to watch this for my love of Terry Pratchett though from past experience I knew that movies don't live up to their print counterparts - and I had not read the book. I wasn't disappointed in what I had thought. The movie was complex enough and many of the usual characters were there - including a troll and the sentient luggage (knowing about diskworld is useful) but it is difficult to bring about the humour in the text. Did get to the see the circumfence and the rimbow though. A lot that should be left to imagination escapes like spells from book of magic and then is not as effective somehow. The tourist lives up to one and is by far the star, if unintendedly. I will leave the turtles be.

The Color of Magic (2008) (6/10)

Never Cry Wolf (1983) (7/10)

An unlikely lone ranger or rather a lonely biologist out in the arctic sent to locate the Canis Lupus Arctos. Hunt the caribou hunters, he is told. Crisp description, half in a report format, half in a diary format leaves a bit to be desired. Thankfully the no-nonsense natural surrounding left untouched makes up for it. Encounters with the Inuit, learning of their wolf tales, and understanding of their relationship with the Caribou gradually comes out. Interesting situations develop where the protagonist needs to assert himself in the lupine territory and when he discovers the caribou that the wolves actually eat and has to follow suit if only as an experiment to give credence to his observations. The bad human angle in the end seems overdone (though an equivalent is likely to be undoubtedly true).

Based on a book which is based on facts. Same name. By Farley Mowat.



Never Cry Wolf (1983) (7/10)

Peepli [Live] (2010) (6/10)

A movie dealing with the current problem of farmers being driven to suicide by dwindling resources and a nonexistent support system. It is a serious problem. The movie attempts to bring out the seriousness by showing it in a lighter vein by highlighting the apathy of the media and the politicians. That has come out very well. Two statements standout in the whole movie. One where an established journalist tells a novice what journalism is. Not very convincingly, but she clearly is happy that she could state it and definitely believes in it. The second is by the agricultural minister about promises and their implementation or unneed thereof.

One thing that was lacking from the whole mela was the NGOs. How could they not be there in the whole affair. The answer that two conversations brought out was that it is an NGO movie and you cannot make light of other NGOs.

Peepli [Live] (2010) (6/10)

haapus (2010) (6/10)

In haapus (Alphonso) they have tried to deal with a pertinent problem of the money not reaching the people who go produce as well as trying to dismantle, if only a little, the hold that astrology has on people. However its been mixed with comedy partly based on twins and with too fantastic a transition that comes about towards the end. Add to it the trauma of a past accident, a mother on the deathbed and so on. So, while it is not a masala movie in the usual sense, there is a lot of its own masala in it. To black and white in some sense.

haapus (2010) (6/10)

Following (1998) (8/10)

This short film (70 minutes) by Christopher Nolan is full of twists. Its more like one big twist. A cerebral movie like his other ones. It starts with someone following other people for fun and then the story unravels. Break-ins, murders, blackmail all feature here with less than half a dozen people involved in all the action. There seem to be a few loops ala memento and inception, so watch out, and enjoy.

Following (1998) (8/10)

Wake Up Sid (2009) (6/10)

A no-nonsense movie about growing up, companionship and may be maturity, or recognition of it. Doesn't glorify the typical tenets of today's society and lets its protagonists go with the flow. Everyone is quietly confident. Mistakes are made, but well, mistakes happen. Though the movie s about two people, they do not dominate it and so it is very natural and nice to watch. Finding the groove takes time, but one has to take deliberate steps towards it and be passionate about *something*. Excellent acting.

Wake Up Sid (2009) (6/10)

Inception (2010) (8/10)

A cool idea executed pretty well. People believe dreams are ways to let your brain rest, recuperate, relearn. Some people even believe that they tell you the future. But could they be used for ulterior motives? By someone else? It is said that you should share your dreams. The movie takes it to a whole new level. Or 3. Leaves us wondering if we are ourselves in a dream. You need to have an ally to know. Wink, wink. ME TOTally.

But it does not stop there. How about it if besides learning from shared dreams we could use them to actually change the future? The concept is not unheard of, but here it is shown using technology somewhat ala matrix. Elements of Stalker (1979) are also seen. So also is a reflection of Douglas Hofstadter's 'Little Harmonic Labyrinth' (in 'Godel, Escher, Bach', the conversation before Chapter 5). It is hear that the concept of Tumbolia is introduced (a land where cartoon character live when no one is reading the cartoons). What is dreamland if not a version of Tumbolia in some other space. How different is limbo? The concept of GOD (=GOD Over Djinn) is also introduced there. The name comes from Bach's composition called 'Kleines harmonisches Labyrinth.' And labyrinths play an important role in the movie. It is interesting that Penrose is mentioned in the movie but Godel and Escher (and Bach) are not.

But making a movie that seems sensible on such a topic is far from easy. One thing I do not like in such movies though is that a lot relies (in terms of making sense) on the first and last few minutes. I am guilty of it myself in some short stories (all Marathi so far) but in my defense they are not feature length.

What will happen if the inception of dreams fail? Can there be time-like loops? Closed or open? What if it reverses? I would not want to actually say what is in the movie so that I do not end up spoiling it for you. I am sure you will enjoy it though.

Oh, BTW, parts of the movie have been shot in Pasadena and LA.

Inception (2010) (8/10)

Rocket Singh: Salesman of the Year (2009) (7/10)

Being absolutely honest is not easy. Especially if you realize that others don't expect you to be honest and if no one wants you to be. But it is your nature to be so. Can one person change the system? From the inside? Or from the outside. Who will help you? All good questions. It can turn out that if you are really willing, may be you can be enough of a nuisance to do something.

Rocket Singh: Salesman of the Year (2009) (7/10)