Gladiator (2000) (6/10)

After a journey to Rome recently I gathered enough courage to watch Gladiator. Or rather felt obliged to watch it. Not unexpectedly, it did not turn out to be the grand movie. The sets and the settings are good, and so is the acting. The complex character of Commodus is brought out rather well. But the other characters, including Maximus often seem undecided, and hence human. May be that was intended. Not much of Rome shown, not much of the senators shown. That makes it a rather one-track story-line. Sure, there are a couple of twists, but these are trivially overcome - at least in the movie.

Why don't slaves revolt? Why don't people revolt? Why don't we revolt?

Gladiator (2000) (6/10)

The Pianist (2002) (7/10)

All you want to play is the piano - and you are good at it. And the war breaks out. and with it hell. You are captured and spend time in captivity. Helping here and there a bit but not being able to do much. Surviving. And you get a break. You find humanity in the enemy. Or a small part (with a large mind?) of the enemy. You survive and are united with your art.

The Pianist (2002) (7/10)

Paths of Glory (1957) (7/10)

When ambition makes you blind, it can be bad for other people. If you happen to be in a position of command, that becomes an understatement. A complete disdain for anything in your path can result. Even paths considered to be those of glory can turn gory. Why wars are started and where they can take you. Irrespective of which side was right, here we see what happens just on one side. A different kind of war movie.

Paths of Glory (1957) (7/10)

El Laberinto del fauno AKA Pan's Labyrinth (2006) (6/10)

A fairy tale intertwined with a revolution in 1941 Spain highlighting different facets of human nature. The way real life and the fairy tale is seamlessly mixed is amazing and so is the acting. That said, I am not a great fan of mixing genres where it is not natural i.e. just for a great effect. If there was a deeper analogy e.g escapism, it was lost on me. The good thing was that neither part seemed jarring (if you excuse the violence in the war which you really shouldn't).

El Laberinto del fauno AKA Pan's Labyrinth (2006) (6/10)

Mononoke-hime aka Princess Mononoke (1997) (6/10)

This animation has some good action. But without the technology, or the magic, it does not live up to a Stars-wars reputation. On the otherhand, it is no animal farm either. Well, there is some magic, and the usual thing that cartoons do - not exactly forgetting about gravity, but forgetting basic principles about impact velocities etc. Since what you do not know can not hurt you, they don't get hurt in this epic battle of animals to rid the earth of humans and vice versa. Why bother the Elk if the prince travels faster? The blind nightwalker was interesting, but not convincing.

http://www.imdb.com/title/tt0119698/ (1997) (6/10)

The Russians Are Coming the Russians Are Coming (1966) (7/10)

A light hearted movie with some serious stuff. Fairly innocuous and yet deep. About human apprehension, fears, faith and basic humanity. Order in chaos and vice versa. Courage in the face of adversity and foolhardy almost daredo in the face of almost certain death. Can not fail to make you laugh, and that is the main point. You do not have to be serious to convey serious stuff.

The Russians Are Coming the Russians Are Coming (1966) (7/10)

Letyat zhuravli aka The Cranes Are Flying (1957) (5/10)

This movie is about war, yet not too much of the gory war is explicitely shown. About waiting, and endurance during the wait. Human condition during the war, any war. Some philosophising about how a war is bad even when it is won. A sort-of advice to also learn in rejoicing with the others. The Crane metaphor, if taken literally is however breaking down as not just war but even peacetime impacts on the environment are ensuring that those and many other species are suffering leaving less things for us to rejoice in, war or no war.

Letyat zhuravli aka The Cranes Are Flying (1957) (5/10)