A Wednesday (2008) (8/10)

A movie about terrorism and its effect on common man. The workings of a police organization once it is made aware of a threat to thousands of citizens of Mumbai from 6 bombs. How the media is made use of by terrorists. How the terrorists get blinded by their acts and are proud of destructive activities.

I am against killing. But clearly wars happen (though I wish they wouldn't). When you are attacked, you have to defend. But if in the process you have to fall to the opponents level or below thats a shame. Religious hared, for instance, need not be fought by equal religiousness. It may be a better world if it is fought by a secular outlook.

Many prisoner release situation come into existence because such demands are met with. If it is realized that that won't happen, such incidents may decrease.

Mostly believable movie and good acting.

A Wednesday (2008) (8/10)

It's a Mad Mad Mad Mad World (1963) (7/10)

Saw this again after several years. I did not laugh as much, and it seemed a tad slow especially in the earlier part. That may be because it was the unabridged original version. But its still pretty good for a movie that hasn't got anything. Just madness. Not methodical either. One chase after another, and things just being taken apart. Of course it is overdone. But thats the whole point. If there is one.

It's a Mad Mad Mad Mad World (1963) (7/10)

The Taking of Pelham 1 2 3 (2009) (6/10)

Good story, good build-up. But rather linear. Hardly any ups and downs. Partly obscure, partly clear motive. Somewhat like a James Hadley Chase. The last chase is super-human as is usually the case. The graft angle seems a bit extraneous. I need to see the older version of the movie. I wonder what they used instead of the internet to keep the two parties informed. I guess pre-knowledge of someone in the team could be partly it. Did the intelligent rat finally decide where the movie went?

The Taking of Pelham 1 2 3 (2009) (6/10)

State of Play (2009) (7/10)

A drama with a few ups and downs, both predictable and unpredictable, believable and hard to believe. The acting is pretty good overall. About paybacks and shadowing and politics. But above all about reporting, its methods, ethics, sellebility etc. There is of course the secret wing of invincible soldiers being created for secret purposes. Why don't they have a few invincibles in the public sector? That will work so well. But I guess they do not exist, or it may be difficult to keep them sane in the presence of people.

State of Play (2009) (7/10)

Land of the Lost (2009) (3/10)

An absurd movie, fit for an airliner and I did justice to it. Jumping to different universes, finding creatures there, both like you and unlike you, communicating with them, finding higher purposes and all that kind of junk. No real novelty, no real weird ideas. Just hashing together.

Land of the Lost (2009) (3/10)

District 9 (2009) (4/10)

It seemed to start like a joke. So I laughed along. But then they seem to take themselves seriously and tried to make a story out of it. Scavenger aliens eating catfood waiting for a messiah who is hiding and looking for a tube that contains DNA that can transform alien DNA into whatever? DNA? It would have been a very good joke movie. But there were a few elements that were too realistic. The botch up. The experiments. The weapons and economy angle. There was just no imagination. It was gory for a joke. Sigh!

District 9 (2009) (4/10)

Dasvidaniya (2008) (7/10)

A simple movie about a man who discovers that there are a few things that he just must do before kingdom come. He of course needs some help to realize that he should do those. And since those things are diverse enough you ride along unraveling different aspects of his life in particular, but of life in general. The amount is almost tiringly large, but leaves you refreshed. A light and touching movie.

Dasvidaniya (2008) (7/10)

LA Confidential (1997) (6/10)

A fast paced movie (except for a small interval near the middle) where 5 types of cops are shown (with overlaps). How an organization has a life of its own, and how values related to morality etc. generally take a back seat. There are too many twists though. You can follow them as they are mostly linear. For some of them you feel that you should have seen it coming.

Its a bit black and white, but thats understandable. Violent as police movies can be. Not much of LA itself comes in, except for the unique glamour of Hollywood of course.

L.A. Confidential (1997) (6/10)

Le scaphandre et le papillon AKA The Diving Bell and the Butterfly (2007) (6/10)

Last evening as I was walking home I was contemplating about armchair universes and about moving cursors and hopefully even objects with thoughts. Why does one need the body? As my netflix queue was shrinking I looked around and found this French movie which I was able to stream.

It is based on a real story, and in that the story itself is impressive. A man losing all his body except for one eye, and thanks to good care, visionary therapists and a will to lie and generally be good humored about it, he manages to accomplish something which other souls handicapped by having too many things to do, do not.

But it is a story of an individual, and he dwelves in his past, the best he can do. Others can take courage from him that not all is lost when seemingly it is. After choosing to fight for it, it is upto each individual what to actually do. Sometimes too much may depend on those around you though.

Le scaphandre et le papillon AKA The Diving Bell and the Butterfly (2007) (6/10)

Star Trek : The Future Begins (2009) (8/10)

It is a difficult job to insert a story into the collective memory of the collective and not make many errors. That has been done reasonably well. The rather handy time travel trick has been used in a fairly complex way - at least complex enough for the viewers to not understand what's going on. But then the action is fast enough so that she does not have time to think. And who wants to think anyway while your heroes are evolving into the heroes they will be. I am not our father. Or may be we are. Whatever.

Star Trek : The Future Begins (2009) (8/10)

My Son the Fanatic (1997) (7/10)

Its all about Om Puri who puts in a sterling performance. He is a common man, and immigrant. All he wants is a simple life and to look after his family, and as is typical for South Asians, to make his son his main concern. But times are a-changing in some ways. The international mixing of peoples, and the clash of cultures and ideas is brought out. The norml way of showing it is to depict how countries, or communities, or individuals of a type are affected. But here it is all about Om Puri, a taxi driver. And yet it is capable of drawing the bigger picture.

My Son the Fanatic (1997) (7/10)

Kill Bill: Vol 2 (2004) (7/10)

Far better than Vol. 1 which was just violence. This has story. Of Vol. 1 too. The violence is in the background, but just that. You can follow the dialogues, the story the turns and above all the acting. The gimmicks are james bondish in their own way. I has east, west, indiana jones. Its all done so nonchallently. Revenge in style.

Kill Bill: Vol 2 (2004) (7/10)

Teorema aka Theorem (1968) (5/10)

Dubbed as an intellectual thriller about passion and death, the film doesn't say much, neither do the characters. But there is a haunting atmosphere in the somewhat jumpy film. Its about an Italian family and the transformation of its members by a single individual, a visiting stranger. Some people are bound to find the proceedings objectionable. Does it make a statement? I think so. Is it clear? Perhaps not. It has many references that are hidden and so shall the interpretations be. Its almost entirely upto the viewer as to what to make of it.

Teorema aka Theorem (1968) (5/10)

Kaze no tani no Naushika aka Nausicaä of the Valley of the Wind (1984) (6/10)

Another masterful Miyazaki animation. But had a few elements more real world like. A world 1000 years after the downfall of civilization is portrayed with three nations and some ancient forces (ala LoTR?) and the OM chants (ala wOrMs of Dune? not to mention the Muad'Dib myth). The world is nevertheless enchanting with chemistry taking the driving seat.

Kaze no tani no Naushika aka Nausicaä of the Valley of the Wind (1984) (6/10)

Batteries not included (1987) (7/10)

Several complex issues are handled in this fairy tale. On one level its about metal elves, but on the other it is about several real-life issues. Some elements of encounters of the third kind (Spielberg effect?) are seen when different people look at the same situation from their own perspective (but how else can that be?). I think the difference is that they do that without coming across as egotists. Of course many things e.g. supply of raw material to name a very minor one, are swept under the carpet as they should be in any good fantasy. Otherwise, what is the viewers imagination for? The story outline is simplistic, won't necessarily keep you glued to the screen, but has a few twists and the perceived complexities can take you through.

Batteries not included (1987) (7/10)

Dombivli fast (2005) (7/10)

Saga of an honest man whose rage gets turned on by events in a way beyond his control. Since he has not planned on being enraged, he does not have a plan to vent his rage. But there is a pattern that develops. As always the public does not understand what is happening. Or rather, a fraction thinks he is a hero, another thinks he is a threat and a good fraction are indifferent. The media tries to use it both ways, and then there are the political gimmicks, and the police are of course in the picture. The movie tries to appeal to a higher conscience which is difficult to bring into play unless one can pause for a moment to think. Who will change the society? Will you? How? Will you help someone who is trying to?

I was hoping that they may show a way out for people who want to raise at least a miniscule voice. But I guess it IS non-trivial. One has to fight ones own fight and be prepared for the consequences. Life was never promised to be a bed of roses. But that is what makes it enticing.

Dombivli fast (2005) (7/10)