LA Confidential (1997) (6/10)

A fast paced movie (except for a small interval near the middle) where 5 types of cops are shown (with overlaps). How an organization has a life of its own, and how values related to morality etc. generally take a back seat. There are too many twists though. You can follow them as they are mostly linear. For some of them you feel that you should have seen it coming.

Its a bit black and white, but thats understandable. Violent as police movies can be. Not much of LA itself comes in, except for the unique glamour of Hollywood of course.

L.A. Confidential (1997) (6/10)

Le scaphandre et le papillon AKA The Diving Bell and the Butterfly (2007) (6/10)

Last evening as I was walking home I was contemplating about armchair universes and about moving cursors and hopefully even objects with thoughts. Why does one need the body? As my netflix queue was shrinking I looked around and found this French movie which I was able to stream.

It is based on a real story, and in that the story itself is impressive. A man losing all his body except for one eye, and thanks to good care, visionary therapists and a will to lie and generally be good humored about it, he manages to accomplish something which other souls handicapped by having too many things to do, do not.

But it is a story of an individual, and he dwelves in his past, the best he can do. Others can take courage from him that not all is lost when seemingly it is. After choosing to fight for it, it is upto each individual what to actually do. Sometimes too much may depend on those around you though.

Le scaphandre et le papillon AKA The Diving Bell and the Butterfly (2007) (6/10)

Star Trek : The Future Begins (2009) (8/10)

It is a difficult job to insert a story into the collective memory of the collective and not make many errors. That has been done reasonably well. The rather handy time travel trick has been used in a fairly complex way - at least complex enough for the viewers to not understand what's going on. But then the action is fast enough so that she does not have time to think. And who wants to think anyway while your heroes are evolving into the heroes they will be. I am not our father. Or may be we are. Whatever.

Star Trek : The Future Begins (2009) (8/10)

My Son the Fanatic (1997) (7/10)

Its all about Om Puri who puts in a sterling performance. He is a common man, and immigrant. All he wants is a simple life and to look after his family, and as is typical for South Asians, to make his son his main concern. But times are a-changing in some ways. The international mixing of peoples, and the clash of cultures and ideas is brought out. The norml way of showing it is to depict how countries, or communities, or individuals of a type are affected. But here it is all about Om Puri, a taxi driver. And yet it is capable of drawing the bigger picture.

My Son the Fanatic (1997) (7/10)

Kill Bill: Vol 2 (2004) (7/10)

Far better than Vol. 1 which was just violence. This has story. Of Vol. 1 too. The violence is in the background, but just that. You can follow the dialogues, the story the turns and above all the acting. The gimmicks are james bondish in their own way. I has east, west, indiana jones. Its all done so nonchallently. Revenge in style.

Kill Bill: Vol 2 (2004) (7/10)

Teorema aka Theorem (1968) (5/10)

Dubbed as an intellectual thriller about passion and death, the film doesn't say much, neither do the characters. But there is a haunting atmosphere in the somewhat jumpy film. Its about an Italian family and the transformation of its members by a single individual, a visiting stranger. Some people are bound to find the proceedings objectionable. Does it make a statement? I think so. Is it clear? Perhaps not. It has many references that are hidden and so shall the interpretations be. Its almost entirely upto the viewer as to what to make of it.

Teorema aka Theorem (1968) (5/10)

Kaze no tani no Naushika aka Nausicaä of the Valley of the Wind (1984) (6/10)

Another masterful Miyazaki animation. But had a few elements more real world like. A world 1000 years after the downfall of civilization is portrayed with three nations and some ancient forces (ala LoTR?) and the OM chants (ala wOrMs of Dune? not to mention the Muad'Dib myth). The world is nevertheless enchanting with chemistry taking the driving seat.

Kaze no tani no Naushika aka Nausicaä of the Valley of the Wind (1984) (6/10)

Batteries not included (1987) (7/10)

Several complex issues are handled in this fairy tale. On one level its about metal elves, but on the other it is about several real-life issues. Some elements of encounters of the third kind (Spielberg effect?) are seen when different people look at the same situation from their own perspective (but how else can that be?). I think the difference is that they do that without coming across as egotists. Of course many things e.g. supply of raw material to name a very minor one, are swept under the carpet as they should be in any good fantasy. Otherwise, what is the viewers imagination for? The story outline is simplistic, won't necessarily keep you glued to the screen, but has a few twists and the perceived complexities can take you through.

Batteries not included (1987) (7/10)

Dombivli fast (2005) (7/10)

Saga of an honest man whose rage gets turned on by events in a way beyond his control. Since he has not planned on being enraged, he does not have a plan to vent his rage. But there is a pattern that develops. As always the public does not understand what is happening. Or rather, a fraction thinks he is a hero, another thinks he is a threat and a good fraction are indifferent. The media tries to use it both ways, and then there are the political gimmicks, and the police are of course in the picture. The movie tries to appeal to a higher conscience which is difficult to bring into play unless one can pause for a moment to think. Who will change the society? Will you? How? Will you help someone who is trying to?

I was hoping that they may show a way out for people who want to raise at least a miniscule voice. But I guess it IS non-trivial. One has to fight ones own fight and be prepared for the consequences. Life was never promised to be a bed of roses. But that is what makes it enticing.

Dombivli fast (2005) (7/10)

Slumdog Millionaire (2008) (8/10)

A fairly honest movie juxtaposing many aspects of current India. Presented in the guise of a game show, which could very well actually happen (meaning its result), and many other things that do happen. Good twists, and realistic bursts, betrayals, brutality and all that. Illegal use of humans is brought out well, and so are the religious issues, public aspirations etc. There is also the drama and the suspense and all that. Extraordinary storytelling of an otherwise ordinary, nay, a mosaic of commonplace happenings. The Amitabh episode takes the cake.

Slumdog Millionaire (2008) (8/10)

Murder by Death (1976) (5/10)

A star-studded cast in this spoof makes a valiant effort at showing how detectives work, or rather how story tellers make us believe they do. Some of the jokes make you laugh. But it seemed that was not the point. I seemed to have missed the point. Last few minutes are okay summing up what the director wanted us to see. But if they have to describe it to us, then clearly they have not been successful in making their point.

Murder by Death (1976) (5/10)

Ghajini (2008) (5/10)

These folks started making a Hindi copy of Memento, down to the detail of the way the the man whose hippocampus has been injured tries to remember things that happened using external instruments. But then somewhere someone has an accident, and a brain gets damaged and they forget what it is they were doing. Then they started making it into a typical Bollywood lovestory (which they happen to be good at - at least for the people who like that kind of things). But things drag on. Suddenly something reminds them that they were supposed to be having a mission - make Memento and they quickly switch into that mode. Until they forget what they were doing - and pretty quickly. And we, the poor viewers are back into a typical Bollywood movie. Teh acting is good in general, but that is not the point, is it? They are so many glaring gaffes and one better not get into that. And the behavior of the police inspector took the cake. Oh, BTW, its intense.

Ghajini (2008) (5/10)

Being John Malkovich (1999) (8/10)

Not a completely novel concept, executed in a completely novel way to fascinating effect. What is it like to be a bat? Ask Thomas Nagel. What is it like to be John Malkovich? That anyone could tell you. Or could they? What does John know about it? (The restaurant scene is out of this world). Its an intricately weaved web of intricate connections. May be at the heart it means we are made of many people or just that all our souls are one as any God-smart Hindu will tell you. At the base of it may just lie physical attraction though. Better overall than Harry Potters platform 3.5 or somesuch. Do puppets have anything to do with it? Maybe.

There was a Gay from Khartoum
Who once took a Lesbian to his room
They argued all night,
Over who had the right,
To do what, how and with Whom.

Being John Malkovich (1999) (8/10)

The Thief of Bagdad (1924) (6/10)

A pantomime from the Arabian Nights. The low points (and 6 is not low) it gets is mainly because it is pantomime, and rather long (and pantomime). Obviously it can not compete with Indiana Jones as far as effects are concerned. But it has a great simple story and lots of ups and downs as also villains. The age tells, but so does the timelessness.

The Thief of Bagdad (1924) (6/10)

Paddle to the Sea (1966) (8/10)

A wonderful short (28 mins) film with live action about the journey of a wooden man from a mountain top to the sea. Its the live action and the totally chance encounters that make it delightful. In passing there is also some commentary made on the action of people, but quite appropriately its kept to a minimum.

Paddle to the Sea (1966) (8/10)

Who Killed the Electric Car? (2006) (8/10)

Gory details of the killing of a good initiative. Given the vagaries of the gas prices (they are down today, but wait until summer) and the demand for hybrids, the wonderful, if fledgling, electric cars that were around a few years back and then gotten rid of by car companies, oil industry, politicians, selfish California officials is nothing short of shameful. That in fact is a very mild word.

The documentary is fairly thorough in looking at different aspects of the introduction and vanishing of the electric car. When the time is ripe things happen. Or do they? Hopefully the Japaneses hybrids and electrics will keep coming. If the US wants to play dumb, so be it. I wonder why other countries had not picked up the development though.

Who Killed the Electric Car? (2006)(8/10)

Batoru rowaiaru AKA Battle Royale (2000) (5/10)

A rather gruesome Japanese movie that pits 9th graders against each other in an oppresive environment where it is insisted that only one of them can survive beyond three days. The killings are gory, and the alliances few and far between. I suspect the book would make a better reading with the background provided in a more encompassing manner. The movie just seems like mayhem. Once you accept the situation that you have to go after the others, the depiction is very realistic as well as unnerving. The analogy is apparently to the economic competition in Japan and its outfall. The children in the teenagers, as well as the teens, and adults are clearly seen.

Batoru rowaiaru AKA Battle Royale (2000) (5/10)

Hauru no ugoku shiro aka Howl's Moving Castle (2004) (6/10)

Miyazaki's masterful animation keeps this fairy (or rather witch) tale going. A relatively simple tale where the evil is not black, nor is the good white. A few twists (or rather ups and downs) and a few tricks. But the landscape and the change of scene and the detail keep you engrossed.

Hauru no ugoku shiro aka Howl's Moving Castle (2004) (6/10)

Dune (1984) (5/10)

Its a very sketchy movie. The first time I saw it was soon after reading the book and I thought it fell way short of the quality of the book, perhaps because you have to fit it in to a movie's length. A few years later, now, many of the original mental images are not as sharp. Though the sight of the spaceships, and the Baron etc. are still jarring, it is somewhat easier to pardon. Will the 2010 movie be better? All we can do now is wait and watch. Do read the book though. That allows more vivid imagination, especially in the context of events currently unfolding on the world-stage.

Dune (1984) (5/10)

Children of Men (2006) (6/10)

One of the dark possible future. A very mysterious infertility syndrome has the entire Earth in its grip. War ravages the planet and people are being driven out of their minds. The story is then about a beacon in the darkness. Can humanity come out of the imminent wiping out? There is the alleged Human project which will help people out. That is the hope. Personally I feel that they are the ones who caused the mass infertility. Too many mysteries. Good acting though.

Children of Men (2006) (6/10)